dust and drag

May 14

“Who knows, but that the universe is not one vast sea of compassion actually, the veritable holy honey, beneath all this show of personality and cruelty?” — Jack Kerouac (via thisadventuretour)

(Source: laurenaspencer, via fuckyeahbeatniks)

[video]

Oh look, it’s my cousin Dallas Roberts, who had a pretty prominent role in The Grey. I still have yet to see him in this one- need to get on that asap. 

Oh look, it’s my cousin Dallas Roberts, who had a pretty prominent role in The Grey. I still have yet to see him in this one- need to get on that asap. 

paintmeblack:

Untitled (1963) by Mark Rothko

paintmeblack:

Untitled (1963) by Mark Rothko

(via cavetocanvas)

The 30 Harshest Filmmaker-on-Filmmaker Insults in History -

(Source: filmcrack, via oldfilmsflicker)

May 12

(Source: oldfilmsflicker)

“One day, a long time from now you’ll cease to care anymore whom you please or what anybody has to say about you. That’s when you’ll finally produce the work you’re capable of.” — J.D. Salinger (via sorakeem)

(Source: 500daysofkissingmypillow, via nogreatillusion)

(Source: boohooboo)

cavetocanvas:

Joseph Beuys, from The Life of Bees, 1954
From the Tate Collection:

Bees were among the animals in which Beuys was most interested and they appear in his work through his life. While at art school he produced a series of drawings called ‘Queen Bees’, but his interest may have begun after reading the philosopher Rudolf Steiner’s 1923 lecture on bees in which Steiner compared the functioning of a beehive to human society. Beuys viewed bees as a symbol of socialism due to the way in which they live and work together; he was also fascinated by the production of honey. The scientific apparatus featured in this drawing reappears in other works by Beuys of the mid-to late 1950s.

cavetocanvas:

Joseph Beuys, from The Life of Bees, 1954

From the Tate Collection:

Bees were among the animals in which Beuys was most interested and they appear in his work through his life. While at art school he produced a series of drawings called ‘Queen Bees’, but his interest may have begun after reading the philosopher Rudolf Steiner’s 1923 lecture on bees in which Steiner compared the functioning of a beehive to human society. Beuys viewed bees as a symbol of socialism due to the way in which they live and work together; he was also fascinated by the production of honey. The scientific apparatus featured in this drawing reappears in other works by Beuys of the mid-to late 1950s.