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dust and drag
Nº. 1 of  17

dust and drag

introspective images for consumption
my photography
my last.fm

Posts tagged Photograph:

dimestorekeets:

Jane Russell in “The Outlaw” (Howard Hughes, 1943)

dimestorekeets:

Jane Russell in “The Outlaw” (Howard Hughes, 1943)

(via oldfilmsflicker)

onlycoincidences:

Deception Pass State Park, Washington. 
Multiple Exposures in camera.
Redscale ISO 100 Color Negative Film, 35 mm. Taken with Lomo LC-A+

Just posted some new work to my photography blog. Expect more soon, as well.

onlycoincidences:

Deception Pass State Park, Washington. 

Multiple Exposures in camera.

Redscale ISO 100 Color Negative Film, 35 mm. Taken with Lomo LC-A+

Just posted some new work to my photography blog. Expect more soon, as well.

derrierelasalledebains:

William s Burroughs, Paris, devant le Beat Hotel.
Altered and scratched 35-mm slide.

derrierelasalledebains:

William s Burroughs, Paris, devant le Beat Hotel.

Altered and scratched 35-mm slide.

(via bbook)

jennilee:

Bas Jan Ader, All my clothes, 1970. Gelatin silver print, 28 x 35.5 cm 

jennilee:

Bas Jan Ader, All my clothes, 1970. Gelatin silver print, 28 x 35.5 cm 

lecollecteur:

William Eggleston.
from For Now.

lecollecteur:

William Eggleston.

from For Now.

(Source: whitemystere, via bbook)

Polaroids from the set of Jim Jarmusch’s DOWN BY LAW

in honor of their new blu-ray of Down by Law (which is out today!), Criterion has posted a collection of Polaroids from the set, photos snapped by assistant cameraman Jack Anderson while Jarmusch was testing certain set-ups for the shoot. on the back of each Polaroid, Anderson jotted down all the pertinent camera details that Jarmusch would require for production: t-stops, lens types, focal distances, etc…

(Source: film-dot-com, via oldfilmsflicker)

liquidnight:

Dirt road near water; trees, between 1918 and 1920
Photographer unknown
[From the Library of Congress]

liquidnight:

Dirt road near water; trees, between 1918 and 1920

Photographer unknown

[From the Library of Congress]

madnessisfreedrom:

Holding up mypurring cat to the moonI sighed.
Jack Kerouac, American Haiku, 1959

madnessisfreedrom:

Holding up my
purring cat to the moon
I sighed.

Jack Kerouac, American Haiku, 1959

(Source: nypl, via fuckyeahbeatniks)

artpedia:

Jeff Wall - A Sudden Gust of Wind (after Hokusai), 1993. Silver dye bleach transparency; aluminium light box

Artist Statement: 

When I was making A Sudden Gust of Wind I knew I wanted to show how the air could carry the papers. Hokusai had already solved some of these problems. If you analyse his composition, you realise that many of the little pieces of paper coincided with very important points of the rectangle. He composed something that had a feel of the accidental. It was not accidental, but he knew how to make it look that way. I thought that the only way to achieve that was to first create chance situations, to create a lot of movement and then just have a lot of materials to edit. So we created a way a lot of paper could be moved in the air and then tried to think of both the rectangle and the invisible air current in three dimensions. As the papers move in depth, they move away from us and get smaller. I just worked hard on it and tried to compose. There is no guide, its just a feeling, a sense of real, how things are really are or would be . 

(via torncurtain)

Nº. 1 of  17